| #ffffff;" /> | | | | over twenty years he was able to take the ideas |
| Born in Denmark in 1914, Borge Mogensen | | | | previous generations had about furniture and turn |
| became qualified as a cabinetmaker at the age of | | | | them into reality. He respected the materials he |
| 20. He, like many of the other furniture designers | | | | worked with, and functional tradition in creating |
| from Denmark, studied at the Copenhagen School | | | | the furniture made him very aware of how the |
| of Arts and Crafts and then at the Furniture | | | | items were put together. He used old designs and |
| School of the Academy of Fine Arts from 1938 | | | | built his furniture based on those designs and the |
| to 1942. At the time Kaare Klint was the | | | | training and subsequent experience he gained over |
| professor of the Furniture School whose own | | | | the years to improve them and make it brand |
| influence on Danish furniture is still felt today. | | | | new once again. |
| Borge Mogensen was viewed by Kaare Klint as an | | | | Some of those old designs that Borge Mogensen |
| extraordinary talent with valued skills. His | | | | improved upon came from his instructor’s |
| closeness with Kaare Klint led to a cooperation | | | | love of Shaker furniture that was designed and |
| between the two men that allowed Borge | | | | developed in the United States. There is |
| Mogensen to open up his own design studio in | | | | speculation among the design community today |
| 1950. | | | | that the many of Borge Mogensen’s |
| Within five years of establishing and working his | | | | chairs were based on the Shaker design |
| own design studio, Borge Mogensen was able to | | | | prototypes. For example, Borge |
| design furniture for well known producers. Karl | | | | Mogensen’s ‘J39’ chair had |
| Andersson & Soner, P. Lauritzen & Son, | | | | a wooden, four-legged, single slat back design |
| and Fredericia Furniture all manufactured designs | | | | similar to the ‘low ladder back’ |
| that came from the mind of Borge Mogensen. | | | | chairs of the Shakers. His ‘trestle |
| The Fredericia contract turned out to be the | | | | table’ that matched the chairs is |
| most fruitful partnership of his career and he was | | | | considered a ‘redefined Shaker |
| allowed to explore every aspect of his own | | | | classic’. Borge Mogensen worked with the |
| comprehensive design skills. Andreas Graversen | | | | Danish Cooperative Wholesale Society at the |
| was the owner of Fredericia at the time and he | | | | time, helping them develop attractive yet simple |
| was able to keep up with Borge | | | | design furniture that was good for everyday use. |
| Mogensen’s thoroughness and quality in his | | | | What made Borge Mogensen’s designs so |
| designs. | | | | well accepted was his ability to incorporate a |
| Borge Mogensen passed away in 1972 and he is | | | | variety of different design styles into his furniture, |
| still considered Denmark’s ‘Grand | | | | keeping them free for the modernist influence |
| Old Man’. His experience as a | | | | and attractive to customers from all walks of life. |
| cabinetmaker helped him in his designs and for | | | | |